Many successful merchants and financiers bought houses in this area in the 1600s. The house is in the centre of old Amsterdam, close to Waterlooplein square, which hosts a daily flea market, more flea than market. If you are looking for Rastafarians selling cannabis leaf t-shirts and others with blue and white Dutch kitsch, it is the place to be.
The house was built on two lots in 1606 and drastically remodelled in 1625, adding another storey and replacing a stepped gable with a more modern triangular corniced pediment. The house was purchased for thirteen thousand guilders, a huge sum, a mortgage that lead to Rembrandt claiming bankruptcy in 1656.
The house deteriorated over the years until purchased by the city in 1906 and handed to the Stichting Rembrandthuis foundation a year later. Finally in the 1990s, the adjacent premise was acquired to build a modern extension designed by Moshé Zwarts and Rein Jansma. The restoration of the original house was lead by building historian Henk Zantkuijl (who also reconstructed Vermeer’s home in The Hague) based on the bankruptcy inventory, his team was able to figure out the home’s layout and usage of different rooms by Rembrandt.
The house has been refurnished with art, furniture and objects from the 17th century but nothing that belonged to Rembrandt. The art collection contains etchings, drawings and paintings from Rembrandt, his pupils and his contemporaries which have been acquired over the years. Unfortunately, the artwork throughout is not labeled and I hate using the headset provided so I was in the dark to what was what, although, I did enjoy the atmosphere of the house.
You can rent the old kitchen and have a meal catered for up to 18 people. How incredibly cool is that? Here is the menu for your amazing night at the museum.
The current exhibit explores the development of printmaking in the 17th century in the Low Countries and Rembrandt’s role in it. A selection of eighty prints from three private individuals including Lucas van Leyden, Jan Lievens and Hendrick Goltzius is on display.
One of Rembrandt’s most famous etchings, Self-portrait, wide eyed, 1630, from the Rijksmuseum, is available to view. Tiny and fascinating, often considered self-indulgent, this small etching and many like it, were practice for Rembrandt in capturing expressions for his larger paintings.
MY FAVOURITE THINGS
As a kitchen designer, when visiting historic homes, I am fascinated with kitchens and how they were used. In Rembrandt’s home the kitchen was the most comfortable room in the house, even the maid’s bed was present.
My husband is in the midst of renovating our kitchen while I traipse through The Netherlands (yes, he is a keeper) and I am very aware of the details of the historic kitchens which I have visited. The simple beauty and functionality of natural materials; marble and slate floor tiles, sinks, and counters; ceramic tiled fireplaces, and cast iron cookstoves and cooking implements; meant to last (and lasting) for centuries. The patina on a marble counter means that it was cut upon, cooked on, cleaned on, every day to nourish and comfort a family. The kitchen is often the centre of a home and I am proud to be part of its design.